Sputnik (Roman. F) has released two new modules for the Module Module format by Eardrill.
The one that is brand new is the Envelope Follower that is in fact just one channel of the old Buchla 230 Tripple Envelope Follower and is therefore ideal for a small system.
The second one is the singel Module Module of the timbre cercuit that can be found in the original 259. Perfect perfect companion for a 258 or 258v. But I am realy looking forward to use it with my 259e because sometimes I just want it to sound more analogue. I think the Timbre Module will deliver. This is the second batch as the first one sold out really quickly.
From muff's:
$320 each, preorder is $100 and shipping is $15
preorder is till may 10th, then add 4 weeks for the production.
paypal is in@btwn.us, please add 4% or use personal
thank you
ps: the EF prototype-unit on the foto has unscratched metalfoto panel and ready to go with a 10% discount
Freitag, 19. April 2013
Donnerstag, 18. April 2013
New Module by Mark Verbos: The 247v Sequential Voltage Source
from his blog:
I have been working on a new Sequential Voltage Source. It is only a single module space and packs a big punch. It does most of the things a MARF or ARF does, but without any menus. It can act as an 8 stage sequencer with two rows, voltage control of the clock/slide rate, switchable slides/pulses, pulse outs on each channel and the ability to loop from any stage to any stage. It can act as a multi-stage envelope, up to all 8 stages with any stage as a sustain stage or any stage pausing unless a key is held. It can act as ADSR, AHDSR, HADSR, AD, AR, AHD, LFO saw, pulse, square, triangle, something more complex, LFO that only runs when a key is held, LFO that only runs when a key is lifted.
I wanted a small sequencer with every function on the panel. I wanted to do TB-303/MC-202 type sequences with slides selectable per stage, where the pulse output holds the whole stage on a slide stage but only pulses 25% of the stepped stages. I desperately scrambled to complete two for my performance during the NAMM show. I made panels from PCBs because they take less time to manufacture. I only got one finished and then it didn't work when I got there! Anyway, it's working now. It's pretty fun.
I have been working on a new Sequential Voltage Source. It is only a single module space and packs a big punch. It does most of the things a MARF or ARF does, but without any menus. It can act as an 8 stage sequencer with two rows, voltage control of the clock/slide rate, switchable slides/pulses, pulse outs on each channel and the ability to loop from any stage to any stage. It can act as a multi-stage envelope, up to all 8 stages with any stage as a sustain stage or any stage pausing unless a key is held. It can act as ADSR, AHDSR, HADSR, AD, AR, AHD, LFO saw, pulse, square, triangle, something more complex, LFO that only runs when a key is held, LFO that only runs when a key is lifted.
I wanted a small sequencer with every function on the panel. I wanted to do TB-303/MC-202 type sequences with slides selectable per stage, where the pulse output holds the whole stage on a slide stage but only pulses 25% of the stepped stages. I desperately scrambled to complete two for my performance during the NAMM show. I made panels from PCBs because they take less time to manufacture. I only got one finished and then it didn't work when I got there! Anyway, it's working now. It's pretty fun.
Freitag, 12. April 2013
Rare original 200 modules for sale on ebay!!!
That's not happening everyday. Not one but six original Buchla 200 modules have surfaced today on ebay, including two of the most hard to find modules. The 237 Polyphonic Keyboard Module and the 204 Quad Spatial Director. If you have the funds, go get them as this is a once in your lifetime opportunity.
284 Quad Voltage-Controlled Envelope Generator Model:
Adds voltage control and variable delay and duration times to the capabilities of the Model 280 (Four independent envelope generators with variable attack and decay times (range is .001 to 10 seconds) and a choice of sustained or transient operation. Input pulses initiate envelopes and optionally control duration time; output pulses, activated at end of decay, are particularly useful for advancing sequencers or looping to inputs to generate repetitive functions.).
All times are internally variable from .002 to 10 seconds; control voltages may be used to extend this range and control overall time while preserving envelope shape.
237 Polyphonic Keyboard Module:
This keyboard provides the musician with the means to achieve direct
expressive control of the Electric Music Box's many voltage-controlled
parameters.
Model 237 has 37 keys (3 octave) and 3 voice polyphonic outputs; built-in processor allows polyphonic output voltages to be transposed or modulated by applied signals and control voltages.
Model features velocity and pressure outputs. Velocity output voltages are proportional to initial striking force; pressure outputs are actuated by applying pressure at bottom of key travel.
Key voltage outputs are equal interval -- any equal-tempered scale may be readily tuned with the processing and offset controls built into Electric Music Box oscillators.
Model 237 has 37 keys (3 octave) and 3 voice polyphonic outputs; built-in processor allows polyphonic output voltages to be transposed or modulated by applied signals and control voltages.
Model features velocity and pressure outputs. Velocity output voltages are proportional to initial striking force; pressure outputs are actuated by applying pressure at bottom of key travel.
Key voltage outputs are equal interval -- any equal-tempered scale may be readily tuned with the processing and offset controls built into Electric Music Box oscillators.
204 Quad Spatial Director:
The 204s features include:
4 electronically isolated 2-dimensional joysticks with output voltages proportional to lateral and vertical displacement. Generally used to control sound location, but may be used to control other parameters. 4 gain controls for signals applied to inputs. Control voltages may alternatively be used to control amplitude.
Control voltage inputs for defining positions of sounds. Increasing voltages move sounds from rear to front and from left to right. Voltages are generally (but not necessarily) derived from adjacent joystick outputs.
Go to ebay to see the rest of the modules.
Buchla 300 - The Electric Music Box (1980)
Rick who is an expert in restoring old analogue synths, and who has worked on all the old Buchla instruments gives us another insight into the amazing history of the instruments Don Buchla has created over the last dacades.
from muff's:
from muff's:
found this photo from 2007 in a folder on my drive.. was the patch i
used to record this piece: soundcloud.com/ava76/buchla-296-buchla-donald
note: configuration has been changed slightly since this photo, now
one of 2 original 288s occupies the space to the left of the System
Interface.
...its hard to see in this pic but its a hybrid
system consisting of 28! Oscillators, Freq Shifter/Bal modulator, 2
Spectral Processors, 16 Lopass Gates, 8 Envelopes, Source of
Uncertainty, Voltage Processors, Mixer/preamp, Triple Envelope Follower,
System Interface, Time Domain Processor and touchplate. the 300 cpu
handles all the sequencing and further voltage processing, multistage
complex envelopes.
Q: whats the module left to the system interface?
...its the 298 Silicon cello/sax.. a recreation of
the circuit stuffed in the silicon cello... a few were made in 2002 (by
me) at the same time as the original run of barberpole modules.
Donnerstag, 11. April 2013
Mittwoch, 10. April 2013
Dienstag, 9. April 2013
Jason R. Butcher's new module module
A new module module From Jason R. Butcher. Seems like a quad CV mixer. Looks very nice like all his modules.
From his Flickr: Nearing the end of this run limited to 8 units. All are spoken for.
From his Flickr: Nearing the end of this run limited to 8 units. All are spoken for.
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